About Us

Allyson Lindt has been telling stories since before she could put the words on paper. She loves a sexy happily ever after and helping fictional couples find their futures together.

Loralie Hall is a cubicle dwelling drone who writes as other people in her spare time. Her life-long goal is to be the devil on the shoulder of the person who rules the world.

TLIF - Are You Listening?

Since the introduction of print on demand, self-publishing has skyrocketed. Ten years ago if you wanted to publish your own book, you had to have hundreds or thousands of dollars to invest in that initial print run. And then you had all those books you had to sell or be stuck with boxes of books.

Then sites like Lulu.com came along. I remember Lulu in their very early days when they were not quite what they are now. That made it so much easier. Upload an electronic copy of your manuscript, choose a cover, and anyone who wanted could order a copy of your book at minimal cost to you. I believe the first print on demand companies charged $100 or so, but now it's easy to get it for just effort.

Enter e-publishing. With sites like smashwords, it's ridiculously easy to publish whatever you'd like. As long as you're technical and patient enough to make sure your manuscript conforms to all of their format guidelines. Actually, you don't even need that. You can pay someone to do that for you, and then you're only out that $100 or so that you would have paid a print on demand publisher back in the day.

Sure, you can still pay other people to help, but if you've got the determination and/or know-how, you can do it all yourself and never pay out anything. Upload your story, novel, how-to book, whatever. Someone will come along and pick it up, right? And a lot of people do. The number of people self-publishing, especially in e-formats, is growing at an almost exponential rate.

I don't suspect it's because the ratio of talented people is any higher than it used to be. I suspect it's because the process is so simple now. But why? I mean beyond that. More of a sociological and psychological why.

People want to be heard. They want approval. They want to know they're worth something. Affirmation. Confirmation. Praise. I'm sure there are some people who are strong enough to thrive without any sort of support at all. Or at least, to say that with a straight face.

But for the most part, all people want to be heard. We want recognition. We want to know that we're not just another lamp post on the street. That someone cares. That what we're saying is reaching another ear.

Some people are great at being that ear no matter what. Most people, it doesn't come naturally. I like to think as writers we have that gift. How can you create new worlds and stories if you're incapable of seeing those immediately around you?

But sometimes I think we forget. We all get so caught up in life that we don't realize that there's a lonely voice that would shine a million times brighter if someone would just hear what they were saying. Not just listen, but actually understand, empathize. Care.

So if you have a little free time, find one of those lonely voices and do it a favor and listen. It might make both your days.

Have a happy weekend ^_^

Why Can't I Move On?

In case I hadn't said so yet, I am once again in the middle of a major revision of a story I proclaimed done just a couple of months back. I've set aside all my other projects to focus on this one. I didn't think I would at first. I thought I might peck at it a little and then move back to my sekrit project, or my 'these characters have haunted me since the beginning of time' idea.

But no. I'm knee deep in Uriel's Fall...again...still.

And then I read this from Nathan Bransford. And this from Michelle at Operation Awesome. A post and a follow-up about whether or not to shelve that novel. Should you stick it in a drawer and love it as the story that will never be distributed to thousands, or should you keep trying?

This is a question I've asked myself many times. And Michelle's question made me wonder, why do I keep trying on this one? I have other novels I've shelved. I've torn apart to the point where they're no longer the original story. I've refused to admit even exist. Why do I keep going back to this one?

Is it because the people who have read it loved it? That's part of it. But I have other novels I can't even touch any more that readers loved.

Is it because I'm in denial? Maybe. Possibly. I don't think so, but...that's the nature of denial, right?

I don't think it's anything tangible. There's nothing I can point it to except instinct. That, and I still have the compulsion to work on it. Regardless of the fact that I've done at least one major overhaul already, and several minor ones, it still calls to me. I still like it, want to work on it, and want to see it shine and become what I know it can be.

It doesn't feel complete, and I believe I have the story in me that it needs to be complete. If I couldn't find the solution. If I stared at it and said 'it's just not right, but I don't know how to fix it', then it would be time to shelve it. Temporarily or permanently would all depend on whether or not that solution ever presented itself in a viable way.

So, like the guy/girl that you can't quite get over because there's just some chemistry there and the reason you split up wasn't because you didn't adore each other but just because circumstance made being together the wrong thing at that time, I'm still seeing this story. It haunts my mind, makes me ponder if it will ever be, and gives me hope for something greater in the future.

And for now, it's worth that kind of attention.

And if anyone is interested, I'm looking for a beta reader for this new revision of Uriel's Fall. My CP's are taking a look at it for those technical things, but I wouldn't mind an overall impression as well from an almost stranger who has no vested interest in my feelings, but enjoys the genre, and hasn't heard the story a million times already. Think contemporary fantasy (because really, even though it's about angels and Norse gods and Greek heroes, and takes place in modern here and now Atlanta, it doesn't have any of those other elements like crime fighting butt kicking that a typical urban fantasy has so I'm not calling it that anymore). Any takers?

Would you prefer the volcano or the altar?

Coffee Mate is my new best friend. They've made their peppermint mocha flavor a year-round thing instead of a seasonal thing. Which really doesn't have anything to do with writing except the ritual of it all.

When I worked in an office (way back when a month and a half ago - it seems so very long ago now, and I still miss the old job, because honestly I've had few better, except for the whole layoff thing, but that's neither here nor there), instead of at home, part of my morning ritual was a cup of coffee.

Odd thing is, when I work at home I don't do the same thing. It's a habit I think is important, even if its some other hot drink. Because it's not about the caffeine, it's about the ritual. When I work at home (like I am now, got my first paycheck in a month and a half today and WOOT! ^_^), I have this odd tendency to roll out of bed, turn on work email, and the plug in and wait for the emails to start rolling in.

But working outside of the house means I have to shower, dress, eat, drive to the office...all sorts of things. It requires me to shift my focus before I dive right in. I actually have time to put myself in a work frame of mind.

During all of this, I've realized I write the same way. I can just roll out of bed and start typing words, literally or figuratively. But there's something about the ritual of preparing myself that helps me focus my mind on the task at hand. The ritual of it all. It helps me get inside my characters heads and see and feel what's going on.

I think it's probably a bit Pavlovian. My creativity says "this is how we work. Conform or go back to the sludge with those conformist bastards who make you have a day job." My creativity is screwed up. But it works. I turn on the music. I drink my coffee. I close my eyes and sink into my story world before I start writing it.

What kind of writing rituals do you have? Or am I completely off my rocker on this one?

Taking Inpsiration Where We Find It

My brain is not in stream of consciousness mode today. So instead of a rambling blog post, or even worse, subjecting you to the rewrite of my first 250 words of Uriel's Fall, I have a link. Check it out. Be inspired. Allow yourself to dream.

Where do you find inspiration?

Voices, voices everywhere

I'm a bad writer. I've done something that everyone cautions against, or rather, I haven't been doing something that everyone advocates. When I was growing up I was a voracious reader. I'd devour everything I could get my hands on...as long as I liked the characters and wanted to see more of what happened to them. Series reading is totally a different topic though. Especially since I'm not fond of it the way I used to be.

But recently, over the last couple of years or so, I haven't been reading as much. I read a lot when I travel. But work (old old job) only required that of me a couple of times a year, and the rest of the time it sucked the life and soul out of me and removed most of my desire for anything besides sleeping. The reading stopped when I wasn't on a plane or in a hotel room, and the writing stopped.

Since old old job is almost a year behind me now, I've been trying to relearn how to do these things. I'm getting better at the writing. But I hadn't gotten back into the reading. I'm trying really hard to read in my genre. I really, truly am. I've run into a big, huge, fat problem. I write adult urban fantasy. I've tried to redefine it as lots of other things - contemporary fiction, women's fiction, contemporary fantasy...but definition-wise I know it's urban fantasy.

Here's my problem - I haven't liked a single adult urban fantasy novel I've picked up. I've got some recommendations I need to check out and I assume those will help, but to date, they've all made me weep in pain. And one of them is an NYT bestselling author. *sigh*

But the YA ones I've picked up actually seem to embrace uniqueness. Yeah, okay, the basic plot is still always the same. But...these authors have something astounding about them. They have that elusive voice I keep hearing so much about. The first one I picked up was 'Personal Demons' by Lisa Desrochers. I didn't want to like this book. I was going to use it to prove that I didn't need to read in this genre because it was all lame. And I was so very, very wrong. I devoured it. I got halfway through and realized I had recently beta read another novel that had 'borrowed' the plot almost identically, and I was still compelled to read it.

It was all in the delivery. At least, it's called delivery in comedy. In writing I think we call it voice.

The same day I picked that up, I also picked up 'Paranormalcy' by Kiersten White. Because our local Borders is one of the ones being shut down and it was on sale. I actually had mixed feelings about reading this. I'd heard it was really good, from people I trusted, but all that hype and their had to be something wrong with it, right? But once again, I was brilliantly surprised and pleased. I knew from the first paragraph why people love this author. She writes with a distinct, flippant tone that almost screams off the page with amazing personality.

I figured I was on a roll. I picked up a third on Friday. This one also came highly recommended from all sorts of people who read in this genre. Friends, fellow writers, people I trust. One of my good friends even reaffirmed for me on Friday that he thought I'd like it a lot.

And I'm not going to say what book it is, because...so far I'm a little disappointed. The delivery - the voice - is almost text book. It's violated a couple of writing rules that I don't think should be broken in dialogue, and it's just not grabbing me. I'm giving it a chance. And I will finish it because a friend and I are reading it together, but so far I'm at page 70 and I'm just not sucked in.

The point is, I get it now. I understand why we have to read in our genres and I believe it. I'm still looking for some adult urban fantasy that doesn't make me gag on cliche and bad writing, and if you have recommendations, I will trust and believe you and check them out next. Just keep in mind that 'Supernaturally' and 'Original Sin' are both coming out this summer, so whatever it is has to be good enough to compete with these second books in the trilogy.

What keeps you reading a book, even if you know the basic premise is tired? And what should I read next?

 
Apathy's Hero © 2013