About Us

Allyson Lindt has been telling stories since before she could put the words on paper. She loves a sexy happily ever after and helping fictional couples find their futures together.

Loralie Hall is a cubicle dwelling drone who writes as other people in her spare time. Her life-long goal is to be the devil on the shoulder of the person who rules the world.

TLIF - Why We Follow Querying Rules

First of all, our list for the Critique Partner Blogfest is growing, but there's always room for more. If you're looking for someone to read your work, or if you're looking for something new to read, check it out ^_^ (Yes, I'll keep bringing this up until Feb 13 is done and gone. We'd love to pull in as many of you talented authors as we can).

When I was in junior high and high school, one of my least favorite classes every single year was English. This is possibly unfortunate for someone who wants to be a writer. I had a couple of complaints about the entire process.

When I took math, the curriculum changed year-to-year: algebra, geometry, trig, calculus. There was always a new kind of math to learn (or not learn, in my case). History and science were the same thing. There's world history, biology, US history, chemistry, etc, etc.

But for us at least, English was the same every year. In our house growing up, we were talk to speak correctly. You may not know it from the way I talk online, but my parents were strict grammartarians (which is, apparently, not a word). So, having to sit in a class room for six years in a row, and learn the difference between past and present tense, plural and possessive, first and third person...it all got a little old.

One year, our English teacher thought it would be a good idea to make us memorize lists of words. Like, she made us memorize a list of prepositions. Memorization isn't an issue for me. My brain works that way. Fortunately, I didn't have to do it anyway because she left the list hanging on the wall during the test.

The required reading changed from year to year, but at the time I didn't understand the concept of dissecting internal and external conflict, and so few of those stories held my attention. A kid can only read 'Great Expectations' so many times before visions of Mrs. Havishom in that wedding gown start to give them nightmares.

Anyway, that's all back story, because I like laying that out. The point is, I didn't like the tests we had to take or the book reports we had to write or the countless repetitive grammar lessons (though maybe if I'd listened I'd know how to use commas today).

So (see yesterday's post for a point of reference on how much I thought of my writing prowess at the time), one day I decided I would win my teacher's heart forever and show her how much I was wasting my time doing menial work.

Instead of turning in my book report, I turned in a two page story I had written. Because I knew that once she read my brilliant prose, she would be so swept away that she would contact the people that all English teachers must know, and I would be a world-famous author and everyone would know how amazing I was.

She was not as impressed as I had hoped, and instead lectured me rather loudly while the entire rest of the class was still in the room. Talk about humiliating. (As an aside, other things I did to get myself humiliated in junior high: write letters to my favorite celebrities asking them if I could use their likenesses in my stories in *ahem* 'compromising' scenes. And that wouldn't have been embarrassing if I hadn't thrown them in the trash for a random person to find and read aloud in the middle of the hallway).

Anyway. That single experience with my teacher taught me one of the most valuable lessons I could have learned, and honestly I'm glad I learned it when I was 12, and not when I was 30 and querying for the first time.

No one is above the rules. And the odds of being the one person who is that exceptional are so infinitesimally low that it's not worth pissing someone off when you don't fall inside that .0001%. It's worth the effort to try and do it right. Sure, it's rarely still exactly right the first time or two, but if you 1 - tried, and 2 - are willing to learn from the experience, that counts for a lot.

Anyone else ever do something that side of embarrassing in school?

It Never Gets Easier, Does It?

First of all, our list for the Critique Partner Blogfest is growing, but there's always room for more. If you're looking for someone to read your work, or if you're looking for something new to read, check it out ^_^ (Yes, I'll keep bringing this up until Feb 13 is done and gone. We'd love to pull in as many of you talented authors as we can).

When I was younger, many, many things were measured in terms of age.

"When I turn 13, Dad says I can pierce my ears"
"When I turn 16, I can finally drive"
"When I turn 18, I'll finally be treated as an adult"

etc, etc. With every milestone, there was still another looming in the distance.

When I started writing seriously, it was the same thing. Actually, I should amend that. For as far back as I can remember, my mother wanted to be a published author. I remember being ten or so and watching her print out manuscripts and mail them off to publishers. Entire printed manuscripts sent directly to editors at publishing houses just to query. Can you imagine? (okay, some of you probably can :-D)

And seeing that, I had decided I was going to do the same thing. I believe my first real effort was when I was eleven or twelve. I wrote a 'novel' about the first female NBA player. I'm pretty sure it had romance and suspense and strange men in masks making calls on video phones. I submitted it to a contest and was all ready to reap the rewards.

And the kind people at the contest critiqued it for me. I don't remember much of the critique, but I do remember the phrase 'immature story telling'.

When I was barely older, I wrote something else. Or maybe it was the same story. I honestly can't remember. I entered it in the local writers' group writing contest - youth division this time. I won first place and thought I was the most amazing person in the world. Never mind that it was a new category and I was only one of three entrants.

At the time, those were the ultimate achievements for me. Once the goal was reached, I had succeeded.

I kind of miss those days. Now it works more like this.
Step 1 - write a novel.
Step 2 - revise the novel.
Step 3 - seek interest for the novel
Step 4 - get rejected
Step 5 - revise the way you're seeking interest
5a - repeat steps 3-5 until interest is shown
Step 6 - send more of the story
6a - repeat steps 4-5 until interest is shown
Step 7 - See the story in print
7a - repeat steps 1-7

I had Step 1 down years ago. I was really good at that step. That is, as far as I'm concerned, the easiest step. Notice it doesn't say 'write a good novel' or 'write something other people consider a novel'. No, it's much more generic than that.

Step 2 took me a bit longer. It wasn't until about a year ago that I finally started to get a handle of this revision thing.

Fortunately, I was optimistic enough to skip Step 2 the first time out. I wrote a novel, and then I queried it. YAY! Four different agents. The most horrendous query letter ever, even after reading all the 'how tos' I could find online (including Query Shark).

So I finally finished Step 2 and then did steps 3-5 over and over again for about eight months. And even though it had taken me my entire life to reach that point, I was still lamenting the fact that I was stuck there. I would tell myself "if I could only get to step 6. If I could just get someone to read the actual story, then I'd be famous overnight." (Because yes, despite the self-doubt, I still have an inflated ego :-D)

To be fair, along the way I've seen Step 7 happen about a dozen times now for my short stories. But even when that happens I say "this is amazing, now if only someone would do the same for one of my novels."

At some point in the process, I reached Step 6. And I was all like "WOOT!" because you know, Step 6 (which I've never actually called Step 6 before today, but you get the point). And it turns out, it's not as easy as "if someone would just read the actual story..."

So in the midst of all of that, there's always something that happens next, even after you get to step 7. Because step 7a is the end of the goto loop, and then the entire process starts over. Hell, sometimes the entire process starts over even if there isn't a Step 7.

And it hit me last night, as I was trying to remind myself there was no reason to sleep with my phone by my bed so I could check my email every time I woke up during the night, that it doesn't get easier with each step. There's more knowledge, there's more experience, but the waiting and progressing steps always exist.

But maybe I just haven't reached that point yet. Is there a point, a step I'm missing, where it magically gets easier to wait for the world to appreciate what I've created as much as(or with any luck more than) I do?

(Not So) Sympathetic Characters

First of all, our list for the Critique Partner Blogfest is growing, but there's always room for more. If you're looking for someone to read your work, or if you're looking for something new to read, check it out ^_^

So...I know this guy. We're real close. Like, I know almost everything there is to know about him. I know more than his girlfriend or his best friend know. I know how he spends after-hours on business trips, why he hates alcohol but doesn't have a problem getting high every once in a while, and I know where he lives.

Cuz, well, he lives in my head. Some of you have met him, most of you haven't. When I do guest posts, he rarely likes to make an appearance (guest posts in this case being posts I write from my characters' POV's as opposed to me posting on another blog or someone else posting here). He's been featured in some of my blogfest offerings, but I really only show his good side in those because I'm infatuated with him.

Thing is, this guy is a total ass. I mean, the average person meeting him wouldn't see it, he hides it well. But anyone perceptive would be put off in a couple of minutes by the smooth-talking bullshit. He cheated on his girlfriend, he prefers practicality over sympathy, and he's always looking for a way to make another buck.

Except when it comes to his friends. He'd do anything for them. Not blindly. The practicality comes into play. But he's worked hard to make sure his friends have what they need and want.

I know all of this, because I created him. Something in my psyche built this man, and I see all the intricacies of who he is. I just have to make sure other people see them as well.

That's where I'm flailing right now. How do I show he's being practical instead of callous? How do I work in that he thinks he's doing what's right for everyone, instead of making it look like he doesn't care?

I think I've got it. Hopefully. How do you pull off complex characters without stopping to explain that they're not all bad?

Nifty, Keen, or Epic? Voice says so much.

First of all, our list for the Critique Partner Blogfest is growing, but there's always room for more. If you're looking for someone to read your work, or if you're looking for something new to read, check it out ^_^

A critique got me thinking about something today. It's not the first time I've heard this in a critique, but it's not something I hear often. And even though it was directed at the writing, I suspect it's more a comment about me than my stories.

I...don't think I sound like an adult. I don't mean my voice, though I wouldn't call that mature either. I mean the words I use, the way I structure sentences, the way I react to things around me.

The comment that got me thinking about this was "but since this is YA..."

Except the story they're reading isn't. Because I don't write YA. Not because I have a problem with it, but because those aren't the stories I tell. But when I look at the voice in the story, I can see why the conclusion was drawn. My characters don't talk like adults either.

My first reaction was to defend the writing. Because I think that's a gut instinct for all of us. To say "I know my main characters are in their late 20's, but they're still single and they operate in an industry that changes on a daily basis. Keeping current in software development requires a certain mentality..."

blah, blah, blah, excuse, excuse, excuse.

I should probably look at correcting it somehow. Except I don't know how. You know how we're always hearing 'find your voice, and write with it'. Making my characters sound more mature...it's not something that comes naturally to me.

Or maybe that's an excuse too. I'm going to be pondering this for a while.

Can a 'younger' voice in a story ruin the entire thing if it's not a YA story?

Reminder: Critique Partner Blogfest

I don't actually have a brilliant topic today because my sleep-addled-it's-still-Monday-morning-but-I-got-good-news-and-that-makes-it-happy brain is refusing to be pushed any more past its capacity.

But I wanted an excuse to remind y'all about the Critique Partner blogfest coming up in mid-February.

If you haven't signed up yet, go add your name to the list. It's for writer's at any point in their work, and who can't use another set of eyes to take a look at their story?

 
Apathy's Hero © 2013